Nature would not appear so rich, the profusion so rich, if we knew a use for everything.—Journal, 11 August 1853
New England can hire all the wise men in the world to come and teach her, and board them round the while, and not be provincial at all. That is the uncommon school we want. Instead of noble men, let us have noble villages of men. If it is necessary, omit one bridge over the river, go round a little there, and throw one arch at least over the darker gulf of ignorance which surrounds us.—Walden
[N]o storms, no dust can dim its surface ever fresh;—a mirror in which all impurity presented to it sinks, swept and dusted by the sun's hazy brush,—this the light-dust cloth,—which retains no breath that is breathed on it, but sends its own to float as clouds high above its surface, and be reflected in its bosom still.—Walden
Not how is the idea expressed in stone, or on canvas or paper, is the question, but how far it has obtained form and expression in the life of the artist.—A Week on the Concord and Merrimack Rivers
October is the month for painted leaves. Their rich glow now flashes round the world. As fruits and leaves and the day itself acquire a bright tint just before they fall so the year near its setting. October is its sunset sky; November the later twilight.—"Autumnal Tints"
On every hand we observe a truly wise practice, in education, in morals, and in the arts of life, the embodied wisdom of many an ancient philosopher.—A Week on the Concord and Merrimack Rivers
One does not soon learn the trade of life. That one may work out a true life requires more art and delicate skill than any other work.—Journal, 29 December 1841
One sentence of perennial poetry would make me forget—would atone for volumes of mere science.—Journal, 5 August 1851
One studies books of science merely to learn the language of naturalists—to be able to communicate with them.—Journal, 23 March 1853
Painted by the frosts, some a uniform clear bright yellow, or red, or crimson, as if their spheres had regularly revolved, and enjoyed the influence of the sun on all sides alike,—some with the faintest pink blush imaginable,—some brindled with deep red streaks like a cow, or with hundreds of fine blood-red rays running regularly from the stem-dimple to the blossom end, like meridional lines, on a straw-colored ground,—some touched with a greenish rust, like a fine lichen, here and there, with crimson blotches or eyes more or less confluent and fiery when wet,—and others gnarly, and freckled or peppered all over on the stem side with fine crimson spots on a white ground, as if accidentally sprinkled from the brush of Him who paints the autumn leaves.—"Wild Apples"
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