Thoreau writes in his journal:
The real facts of a poet’s life would be more value to us than any work of his art. I mean that the very scheme and form of his poetry (so called) is adopted at a sacrifice of vital truth and poetry. Shakespeare has left us his fancies and imaginings, but the truth of his life, with its becoming circumstances, we know nothing about. The writer is reported, the liver not at all. Shakespeare’s house! how hollow it is! No man can conceive of Shakespeare in that house. But we want the basis of fact, of an actual life, to complete our Shakespeare, as much as a statue wants its pedestal. A poet’s life with this broad actual basis would be as superior to Shakespeare’s as a lichen, with its base or thallus, is superior in the order of being a fungus . . .
